Jim Rogers
DR
Jim Rogers is an Associate Professor and Chair of PhD Studies at the School of Communications, Dublin City University. His core research interests centre on the media and cultural industries, music, and copyright.
Book Chapter
Year | Publication | |
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2017 | Rogers, J. (2017) 'Meet the New Boss: How copyright sustains oligopolistic power in the music industry' In: A Critical Guide to Intellectual Property. London : Zed Books. | |
2017 | Callahan, M. & J. Rogers (2017) 'Conclusions and Solutions' In: A Critical Guide to Intellectual Property. London : Zed Books. | |
2017 | Callahan, M. and J. Rogers (2017) 'Introduction: Why IP? Why Now?' In: A Critical Guide to Intellectual Property. London : Zed Books. | |
2016 | Rogers, J.; A. Cawley (2016) 'Striking a new note: assessing the position, value and restructuring of the digital music industry in the context of Ireland’s economic crisis' In: Networked Music Cultures: Contemporary Approaches, Emerging Issues. London : Palgrave. | |
2016 | Rogers, J. (2016) 'Payer pour la musique à l’ère du tout-gratuit-pour-tous: crise, droits d’auteur et omniprésence de la musique' In: Où va la Musique? Numérimorphose er nouvelles experiences d’écoute. Paris : Presses Des Mines. | |
2016 | Rogers, J. & P. Preston (2016) 'Crisis and Creative Destruction: New Modes of Appropriation in the Twenty-First Century Music Industry' In: Business Innovation and Disruption in the Music Industry. Cheltenham : Edward Elgar. | |
2016 | Rogers, J. (2016) 'De-constructing the Music Industry Ecosystem' In: De-constructing Media Convergence. London : Palgrave. | |
2013 | Preston, P.; Rogers, J. (2013) 'Convergence, crisis and the digital music economy' In: Media and Convergence Management. [Link] [DOI] | |
2010 | Preston, P.; Rogers, J. (2010) 'The three Cs of key music sector trends today: Commodification, concentration and convergence' In: Global Media Convergence and Cultural Transformation: Emerging Social Patterns and Characteristics. [Link] [DOI] | |
2020 | Rogers, J. (2020) 'Re-conceptualizing the Record Industry – Audio-Visual Nexus in an Evolving Digital Environment' In: My Kind of Sound. Popular Music & Audiovisual Culture. Newcastle : Cambridge Scholar. | |
2016 | Rogers, J.; Preston, P. (2016) 'Crisis and creative destruction: New modes of appropriation in the twenty-first century music industry' In: Business Innovation and Disruption in the Music Industry. [Link] |
Peer Reviewed Journal
Year | Publication | |
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2016 | Rogers, Jim; Cawley, Anthony (2016) 'A Song for Ireland? Policy Discourse and Wealth Generation in the Music Industry in the Context of Digital Upheavals and Economic Crisis'. NETWORKED MUSIC CULTURES: CONTEMPORARY APPROACHES, EMERGING ISSUES, . [DOI] | |
2014 | Rogers, J. (2014) 'The More Things Change, The More They Stay the Same: Where power lies in the twenty-first century music industry'. CIVILISATIONS, 13 :33-50. | |
2014 | Rogers, J. (2014) 'Canary down the Mine: Music and Copyright at the Digital Coalface'. Socialism and Democracy, 28 (1):34-50. | |
2014 | Rogers, Jim; O'Boyle, Neil; Preston, Paschal; Fehr, Franziska (2014) 'The significance of small differences: Cultural diversity and broadcasting in Ireland'. European Journal of Communication, 29 (4). [DOI] | |
2014 | O’Boyle, N., J. Rogers, P. Preston, F. Fehr (2014) 'New Irish in the News'. Irish Communications Review, 14 :3-16. | |
2013 | O'Boyle, N. & F. Fehr, P. Preston & J. Rogers (2013) 'Who Needs or Delivers Diversity Training?'. JOURNALISM PRACTICE, 7 (3):300-313. | |
2012 | Preston, P.; Rogers, J. (2012) 'Crisis, digitalisation and the future of the internet'. Info, 14 . [Link] [DOI] | |
2011 | Rogers, J.; Spavriero, S. (2011) 'Same tune, different words: The creative destruction of the music'. Observatorio, 5 . [Link] | |
2011 | Van Audenhove, L.; Constantelou, A.; Poel, M.; Preston, P.; Rogers, J. (2011) 'Social networks, legal innovations and the “new” music industry'. Info, 13 . [Link] [DOI] | |
2011 | Rogers, J.; Sparviero, S. (2011) 'Understanding innovation in communication industries through alternative economic theories: The case of the music industry'. International Communication Gazette, 73 . [Link] [DOI] | |
2013 | O’Boyle, N.; Fehr, F.; Preston, P.; Rogers, J. (2013) 'Who needs or delivers diversity training? The views of european journalists'. JOURNALISM PRACTICE, 7 . [Link] [DOI] |
Conference Publication
Certain data included herein are derived from the © Web of Science (2024) of Clarivate. All rights reserved.