B.A. in Communication Studies (Bachelor Honours Degree) - DCU Prospectus

School of Communications

B.A. in Communication Studies (Bachelor Honours Degree)

Fact File

CAO Code: DC131
Points Last Year: 435
Duration: 3 yrs
Type of degree: Full-time
Contact: Dr Des McGuinness
Advanced Photography & Imaging


"Identity Self-Portraits" by Aideen Shannon 5

The work is an exploration of how identity is constructed socially rather than biologically and how visual media plays a key influential role in this development. The series of images act as a contemporary homage to Cindy Sherman’s pivotal "Untitled Film Stills" series. View project.

Advanced Photography & Imaging


"Interrogating the Flâneur: Visual Lyrics" by Daniel Caulfield-Sriklad

This series documents and performs the character of the flâneur. Vacating the streets of 19th century Paris and the confines of literary and theoretical analysis, he graces the twenty-first century with his presence and ‘mobile gaze’ in contemporary Dublin. View project.

Advanced Photography & Imaging


"Advertising Campaign for Citroen - Leave the Everyday Behind" by Keeto Peterseil

The campaign aims to create a new look for Citroen and place it as an inspirational brand. It suggests that once the consumer has entered the car space, he or she will be able to ‘Leave the Everyday Behind’. View project.

Magazine format Video: Children's Programme
"Kid's Patch"

This well-executed video project portray's a children's entertainment show. Launch video.

Photography & Imaging
"Self-Document" by James Foley

This series of photographs shows what is around me every single day - my adventure with photography and my battle with my creative consciousness. I am never in front of the lens and sometimes I feel trapped behind a viewfinder that will never or can never see my true self. View project.

Advanced Photography & Imaging
"The Lambing" by Tara Walsh

March is a magical time on my father’s farm. Spring begins and the lambing season brings new life and a stream of activity. The blood and the ooze and the gore. The farmer, the ewe and lambs. The movement and the stillness. It’s all over so quickly. March 2009, Donegal. View project.

Documentary
"Breaking the Cycle"

This documentary explores the role of education in combating poverty. Launch video.


Student Awards


DCU graduate nominated for Oscar

DCU graduate Kathleen O’Rourke is the writer and performer of a film nominated for the best animated film award at the 7th March Oscars ceremony in Los Angeles. Kathleen is a 2001 graduate of the BA in Communication Studies.

Granny O’Grimm was made in 2008 by Irish company Brown Bag Films and centres on a character whom Kathleen devised and whose bedtimes stories are “grimmer than the Grimm fairytales”.

Kathleen O’Rourke said that she was “very excited” about the nomination and has already had a flavour of what is ahead in the awards ceremony from attending a nominee lunch in Los Angeles earlier this month.

She recalled that she was supported and encouraged to pursue comedy writing by her DCU lecturers and by the “very creative class” of which she was a part. Among the characters who featured in sketches she wrote and performed at DCU was a bitter granny character. She developed this further as a member of the Fallen Angels cabaret. Her friend Nicky Phelan, an animator, suggested the character could be the basis of an animated film.

The resulting film has been screened at festivals around the world and received awards at many of these. The film’s production was supported by the Irish Film Board, RTE and the Arts Council.

After DCU, Kathleen took a postgraduate course in primary school teaching and worked as a teacher. “It was very rewarding in its own way, “she said. “But my heart was in comedy.” She is aiming to develop Granny O’Grimm for television and is discussing a school-based sit com project with a production company. Her three years of career break from teaching seem likely to be extended.

Advanced Photography & Imaging
"Identity Self-Portraits" by Aideen Shannon

The work is an exploration of how identity is constructed socially rather than biologically and how visual media plays a key influential role in this development. The series of images act as a contemporary homage to Cindy Sherman’s pivotal "Untitled Film Stills" series. View project.